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The audio engine on which Live is built is incredibly flexible and lets you do some really smart things with audio clips. The engine is all about handling data, and easily lets you manipulate notes, channels, patterns, audio and MIDI clips, pan, EQ, crossfade, and insert effects based on the kind of data a clip contains. Many of the core Live plug-ins handle audio with ease, such as the drum sampler, synth, sampler, and it’s own multi-effect. The audio engine is also modular and like everything else in Live, it’s configurable. The RealTime controller lets you set up different performance areas within the session view, adjusting their efficiency, based on whether they’re triggering on captured audio, incoming MIDI, or being triggered from instrument racks. I would suggest that this is a really good idea, as the audio engine’s latency is more apparent when triggering from instrument racks, than when triggered from captured audio.
There’s a ton of new samples included in Live 11, including strings, woodwinds, brass, percussion, loops, vocals, and samples from CDs and other sources. The loading and performance of these samples isn’t as efficient as in some other DAWs, but there are plenty of options to cull samples based on criteria like MIDI notes, and the samples will usually start right away.
Live’s predilection for huge menus with many options and sub-options extends to its track management as well. Each track is a MIDI track with its own internal sequencer. You can easily record your performances into clips or long sections of MIDI data. There’s a neat and useful “Loop Roll” tool that lets you drag a section of looped MIDI data and play that back or change it through eight different parts. There’s also a stereo panner, which is useful for quickly moving the parts of your track from the left speaker to the right speaker without having to do more than click and drag.
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The best way to think of an Lifetime Ableton Live Version Machine is as an audio instrument capable of generating sound in real time based upon the incoming MIDI data. Though any object can behave as an instrument, the audio generated, the type of signal used, and the parameters that can be changed, will depend on the size of the Machine. Unlike, say, reverb FX where you are free to set the parameters in the DSP window, with a live instrument that is connected to a MIDI MIDI channel and connected to an audio output, Ableton Live only supports a fixed set of parameters. The only way to gain access to these parameters is by subscribing to the devices audio output.
Instruments – Ableton Live keeps a count of every MIDI clip in play. It will then create a clip track for each clip that is currently loaded. (Clip tracks are basically MIDI tracks that only contain MIDI data, as opposed to Audio tracks, which include both audio as well as MIDI data.) If you load a clip into an Instruments track, its MIDI output will be assigned to the audio output of the Instruments track. This allows you to trigger the track and hear the result in your headphones or speakers.
Macros – One very powerful feature of Ableton Live is the ability to write scripts that can be bound to Shortcuts. These scripts, created in a similar fashion to Max for Live, can be run when a defined set of conditions are met, for example when a particular parameter changes value, and when a certain event occurs. An entire bucketload of macro controls can be used in such scripts, and you can even specify settings that allow you to have a macro control follow a value in its performance data. These macros can be mapped to any of the Shortcuts on your keyboard.
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What’s new in Ableton Live?
In a day and age when there are so many software companies out there making similar products, its nice to get some acknowledgment from one of them. Its not always the case, but from the little we get in the way of marketing, this shows a strong alignment between the top tiers of the industry, clearly a good thing for both companies and users. Although I havent had the opportunity to use it personally, Live Web is the first ever consumer-friendly web-based version of Live from the software giant. It runs on your web browser, music in your browser, without the need to download software or install drivers (if you have an Intel Mac). Ah, to dream.
Ableton Live is a great tool, and the size of this version is not much larger than previous versions. Theyve added a fair bit in terms of a user interface and documentation, and most importantly theyve included a new option to view device settings as a log file, directly in the UI. This makes it a lot easier to explore and troubleshoot, and Ive recently found that a new tool called the Browser has made the workflow of navigating and viewing presets and devices, extremely efficient and streamlined.
The Machine is nothing new, with a familiar and simple interface that allows for internal audio recording from any input. Users will be happy with the quality of the audio coming out of this tool, which is far better than Live 8. The whole idea of a standalone tool to record simple, one-off projects has been done before, but this one is a perfect build-it-and-forget-it instrument. While still no great shakes for music, this is probably one of the better DAWs for quick and easy experimentation. Maybe its time for a resurgence in recording toys as we already have a massive amount of cheaply priced budget hardware devices, and with Macs getting good enough to really push the envelope on cost and tech, its a comfortable place to live for a while.
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What’s new in Ableton Live
- Processing is now controlled by the effects section, not by the EQ section. It also has a complete two band EQ section (plus a filter). A first for Ableton. This also gets some effects to save and re-apply.
- There is a new matrigl eup that is available with the amercenote live section to control plug-ins and parameters.
- A new user interface theme has been introduced, essentially three different layouts each with a different look. Theme switching is done by selecting new layouts in the Theme Settings.
- Effects use a new UI that is much more direct than the old effect controller. Effects are picked from a pull down menu that contains many presets or users can browse for effects and draw them into the effect slot.
Ableton Live Features
- Rack controls for a kick drum, snare, and clap.
- Utilize all of your Live’s sampler and modulation tools in a single control panel.
- Ableton Push – Allows you to record MIDI instruments/effects being played on your computer.
- 80 Arpeggiator
- Uniquely mixes its live performance features with its MIDI editing, sampling, sequencing, sequencing and performance/utility functions.
- Ableton Link compatibility, allowing for extra-hardware connected rack controllers.
- Supports all MIDI compatible software through MIDI In and Out ports.
- New visual tool stack that keeps you in control.
- Spice visualizations via the Session view.
- Channel strip to investigate instrument, MIDI and CV audio routing, and VST instrument plugin.
- Pitch and modulation dial to make adjustments to your audio and MIDI interface.
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