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This program is really tough to beat. I moved to Cubase 5 when it first came out, and I don’t know if I’d be able to do without it now. I haven’t used other DAWs in 6 months! One of its greatest strengths is the non-linear track access that allows you to skip to where ever in the song you want to be with no hassle, and to come back to that spot after having edited or added something. Personally, the only downside is the odd incompatibility with some third party plugins, but there is a fairly comprehensive list of compatible ones for Cubase.
Cubase is a “grandfather of the DAWs” in my opinion. Its biggest competitor is still Pro Tools, which in my opinion was a great DAW to start off with, but it has a steep learning curve. In my experience, Cubase is very stable and is still the king of the DAW market.
Theres a reason nobody is making a new Pizzicato yet. Everyone I know swears by Cubase, whether its for live or for studio. Its simply the best DAW out there by far. If you want a DAW, this is the one.
If you are working on music project where you record lots of guitar overdubs with multiple guitars, and you are struggling to get a clean blend for all of them in Cubase then you might find that the implementation of the Compressor is wrong. Typically each guitar will have its own compressor, which can be set to dry or have the gain reduced via one or more of the compression curve types but the attack and release times are very similar for the whole group of guitars. Here we look at how to set a compressor so that the attack and release times are unique for each guitar and how this helps to resolve the inter-guitar bleed.
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The number of new instruments, effects and editing tools in Cubase is quite impressive. And its not just new for Cubase, its new for the whole industry. Many VST plugins are now capable of supporting large memory footprints. As such, you can now have hundreds of instruments, effects, and plug-ins within your DAW, the currently typical industry recommendation being 50 or so. Previously, plugins had to be deployed in locations where they would not cause resource contention, resulting in the typical 16-32Gb plug-in memory footprint. Thats a lot of resources to dedicate to only 5 or 10 instruments, for a working band of say up to 10 tracks (I myself use 24 simultaneously on most occasions). VST plugins have been cross platform for several years now, but now theres a new breed of cross platform software out there offering massive memory support. Though still a fairly small market, the market has gone from a scenario where you had to buy your plugins one at a time, and then buy another desktop if you needed more storage. Now you could simply buy that VST plugin once, and you could use it on your PC, Mac, Linux, whatever. And the same plugin could serve you on multiple applications. So theres a huge saving to be had.
With Cubase, the quality of the supporting plugins is phenomenal. And thats not just in terms of the quality of sound, its also about the amount of detail that can be managed and manipulated within the resulting sound. Cubase can be seen as being similar to a musical microscope, and VST plugins make this possible. You can have a VST plugin that plays drum samples from a DVD or CD, or from the host computer, or from anywhere else on your hard drive. You can store hundreds of samples at once, and theres a wide variety of sample types to choose from. This VST plugin can use up to 256 tracks in order to play samples, and you can also edit many of them at a time. The quality of the samples in the resulting audio files can be almost indistinguishable from the original. If you werent an expert musician, you wouldnt know that its a sampled instrument at all! And because its a VST instrument, theres no clutter on the side of the synth window, nothing but the instrument itself. Theres a new visualisation available within these VSTs which Ive not yet sampled myself, but the promise of what a good studio visualisation can be is exciting. Cubase has a lot going for it, so make sure you try it!
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If we activate all the tracks and click play, we hear the sound. If we activate in Reason, we hear it. If we enable 3 and 4, we will hear it. But, if we selected only the left channels, and then again the left channels, we will not hear the right channels. This is because Cubase is using two independent audio tracks. When we double-click to select a track, we are selecting the audio for the selected tracks.
In Reason, you may have two options to record: by audio or by audio and MIDI. We have selected only the first one, but we can click on the second to select the MIDI track. If we select both, we will see in the Cubase inspector that each tracks will appear with a separate audio and MIDI track. This allows us to work independently on each file.
There are many aspects of Cubase that make it useful. If we select three tracks, we can listen to each independently. If we select two, we can listen to either together, or we can have two instances of them each with its own audio and MIDI tracks, and control them independently. At the same time, we can have the video and MIDI tracks playing together, and even have them all playing together. To use the power of Lifetime Cubase Version, we need to be selective. One of the limitations of Cubase is that each track can only play one instrument, per instance. If you want to include more, you can connect them through SoundFonts, by using sample drummers, or indeed recording.
In Cubase, if we have two audio tracks, we can only use one simultaneously. That is because, when we double click, we are only selecting the audio for one track. To select the audio for a track that is not currently playing, we have to open the audio track, double-click to select the track, and then play it.
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Cubase System Requirements
- Windows XP or later
- Quiet Computing (beta release)
- Cubase 10.5 offers more than 450 guitar plugins and includes the P-Layers New Scaler and Complexizer
- Cubase 10.5 supports two multichannel audio tracks, offering multiband compression and four-band EQ
- Improvements in the RetrOspective Mode feature, a new midi recorder, and audio track zoom
- New Effects Process and Reverb plugins
- New DAW Features
- Enhanced Score Editor
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