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Having never been at all familiar with the 24-bit format, I was impressed that Studio One’s conversion suite could take what sounded like a very well-cut 24-bit file and preserve the low-level detail effectively. And as with the iZotope Universal Converter, which I reviewed in January, PreSonus has done a pretty good job of intelligently applying compression to the target formats, something that in the past has been a characteristic of some file conversion plug-ins.

While I enjoyed Studio One’s new Content-Aware Fill feature, I do wish it was more accurate than it is. Transforming a file with a very dull, grey/black background with lines of pure white noise, it brought up a significant number of replacement spots in a way that made me think PreSonus hadn’t really thought through the logic behind their algorithm. And while I love the ability to rename tracks, I found them more often than not to be quite a bit of faff and one of those features that is hard to fit into my workflow.

While I used the chord suggestions in order to find chords in my songs, I didn’t much like that the suggestions were dominated by the first 10 or so chords. This meant that for a song like “I Will Survive” where the first part of the song has an intro/verse/chorus/verse/chorus/outro, the chord suggestions I got were very much the first chords of the songs verses, and consequently didn’t give me much of a clue as to what the chord progressions were for the song’s overall structure. This is definitely not a feature unique to PreSonus; I’ve experienced it elsewhere too.

To get started, you have two main options. With the “Source” button, you can import audio or MIDI files from your device or a network, import music or audio from an existing MIDI file, or even track out MIDI or audio from Pro Tools. This also gives you a handful of control over audio and MIDI from your other apps – you can apply midi-only effects, invert for soft effects, and even link back to Pro Tools so you can play along with projects there. We’ll revisit audio and MIDI importing in the next section. You can choose to import or export your projects into standard, custom, or performance MIDI files; for the audio, there’s 16-bit or 24-bit format; you can create and name presets; the user interface also has modern functionality like predefining clip name, loop start, and loop end. You can also open and save projects as FCPX XML files. There’s a lot to like about Studio One’s instrument and effect plug-in interface; it’s not as rich, or has as many parameters, but it works well for this kind of application.

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Studio One now supports third-party VSTs, including various drum packs from Native Instruments (Kontakt, SuperChord, Advanced Buss, X-Nec, and others), full versions of Guitar Rig (including World Studio and Redacble), SoundMatchers, and a plugin for waverlyrics. PreSonus says that if you pay a yearly subscription, you’ll also get sample libraries for all of the above instruments, which means once you own a synth pack, you can use it for all the other brands. At $69.99 per year for unlimited synths, that offers an attractive price point for people already on the Studio One platform.

Studio One is an intriguing little package that promises a lot, but its usefulness still depends on how well it can support your workflow. The free, Windows and Mac apps are capable enough for most users, but its interface isn’t as clean or intuitive as that of other DAWs.

And even for the price, this is still a bit of a compromise when it comes to workflow. Studio One is neither as robust, comprehensive, nor intuitive as ProTools. Although it may be a great DAW for hobbyists and students, it just doesn’t have all the features they need to be productive. Overall, though, you’ll find its instruments to be well-rounded, its mixing to be excellent, and its workflow to be intuitive, though it’s not particularly easy to navigate.

Finally, Professional and Artist add MIDI track types, the Snare Pattern Generator VST, and a bonus version of Melodyne that includes Melodyne Smart. $1,000 buys you the Prestige package, which adds various synths, an encoder (with trimming), a percussive module, the Octave Up sampler, a synth piano instrument, virtual drum kits, and more. The downside is that additional products require an annual service subscription, which isn’t cheap: $249 for one year or $499 for a lifetime.

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New in version 5.5 of Studio One, is a remarkable 3-band graphic equalizer. Drag the center and left and right to individual bands in the graphic. Click the left and right arrows to select new bands with the same settings, then drag the center. Now you have 3 individual band graphic equalizers, each with a center, left and right channels. I still prefer the free Waves SoundGrid, but this plugin is a powerful tool for the heavy duty mixing engineer.

Mac computers use USB 2.0 for data, while others use USB 3.0, and all connect to your hard drives. You can assign backup locations for your song and project files, and then quickly redo them if the drives space runs low. This is all a lot like Logic Pro, or any of PreSonus audio/MIDI recording software.

The provided tutorials are generally very clear. In fact, I couldnt find the difference between the Pro and Artist versions, as they basically follow the same line for any functionality. If youre using one of the four provided soft synthesisers, the differences are very minor, though you can do more things with the Professional version, such as transpose the notes with the control panel. Of course, you can use the professional version without using the soft synthesisers.

The professional version has all the features of the artist version including the three bandpass EQs, various compression and limiting options, up to 30 instrument and effect insert points, and much more. The Midi engine also allows you to record and export midi tracks to external MIDI sequencers. If youre already familiar with Studio One, not much will change in this version, although some new controls and buttons have been added that only the pro version has. The buttons that were included with the Artist version, such as the save and load buttons for presets, are now in the editor

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