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You can read all about the parts of the plugin in the manual, but here’s the biggest take-away: VocalSynth is a powerful vocal processor that brings all the new sonic gear from the Ozone and Neutron plugins line into a centralised fiefdom, and makes it easy to get your hands on the gear you need. So why not try it for yourself? There’s no better way to join the vocal revolution than to become an early adopter of VocalSynth 2.

In addition to the usual editing and moving tools, there are several new features in VocalSynth 2. Most important of these is the Grouping interface, a standard in almost all soft synths. Not only can you stack effects to create a stereo or mono virtual amp, you can group more than one effect to do so. To be honest, I have never found anything like this before in a synth. Even the Roland SH-2000, which is likely the worlds most popular multi-effect pedal, can only stack two effects at a time. When combining one of the VocalSynth 2 filters and the harmoniser into the main effect section of the amp and guitar section, the harmoniser warms up and cleans up the sound, albeit quite vocally, and the filter makes certain frequency components pop. The combination is very effective in giving a high-gain/low-gain effect to the sound.

I even prefer VocalSynth 2 to the original VocalSynth, which was a truly unique instrument in its day. While the final product isnt as polished, less raw and not as intuitive to use, VocalSynth 2 has the potential to be a great vocal shaping tool for both experienced and novice users alike. In their defense, though, iZotopes gone to great pains to make VocalSynth 2 accessible to anyone via an extremely wide range of presets. It also sports a user-friendly interface with the usual drop-down menus and sliders to fine-tune the effects. A quick tour shows the user controls and options.

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iZotope, Inc. expressly disclaims all warranties for the Software Product, whether express, implied, or otherwise, including, but not limited to, warranties that the Software Product will be free of defects, will operate without interruption, and that the Software Product will comply with all applicable laws. iZotope, Inc. and its suppliers may make changes to the Software Product at any time without notice. The preceding is true for iZotope, Inc. and its suppliers. In no event shall iZotope, Inc. and its suppliers be liable for any damages whatsoever (including, without limitation, damages for loss of business profits, business interruption, loss of business information, or other pecuniary loss) arising out of the use of, or inability to use, the Software Product, even if iZotope, Inc. or its suppliers have been advised of the possibility of such damages. Some states do not allow the exclusion of implied warranties or limitations on how long an implied warranty may last, so the foregoing limitations may not apply to you. iZotope, Inc. may provide you with notice of any such claim or action at any time.

The inspired control over the VocalSynth is through voice control – a new feature that greatly enhances the sound of VocalSynth. All you need to do is set the chord you want to play, and VocalSynth will automatically sing the chord. Voice control works for any type of chord. Voice control also works for any kind of voice – female, male, child, monster, or robot. Use voice control to sing to the beat, not beat-by-beat. VocalSynth 2 also includes a new 60-band EQ with adjustments for standard, noisy, background, and vocal pass bands. It also includes a true vocal limiter, which reduces harmonics and noise as much as 10 dB, and on its own can save you a considerable amount of time. Voice control is also available at a MIDI level, so you can assign any control to any button on your keyboard without changing the keyboard settings.

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What is iZotope VocalSynth good for?

In a previous example, I said that VocalSynth would be a good addition to your toolkit if youre a songwriter, but Im not convinced. The six main controls in VocalSynth operate like the knobs on a traditional VOCALOID like Hatsune Miku, but with less rules. It doesnt feel quite as rigid, and is more designed for musical purposes. You cant, for instance, change the pitch of the VOCALOID engine – you can change the channel tracking parameters.

I needed to create the desired sound for this track, but I didnt want to use a traditional vocoder to do it (I find myself experimenting a lot with effects tools, and they usually reach the maximum potential sooner than expected). Thats where VocalSynth 2 came in. Theres some other cool things that VocalSynth 2 does for you.

The first big thing is that VocalSynth comes with a free to use license for the “Royalty Free” Loop Library. If you download the demo version, youll notice that the only loop included is a kick. Depending on the libraries you purchase, you can find between 10-40 loops. While this might not be enough to create a full-length song, you can use this library as inspiration to expand your abilities and to learn new techniques for filtering, pitch bending, etc.

The second cool thing I like to do is that VocalSynth can create multiple outputs at once, allowing me to use it as a stereo pair, layering in different element tracks. If VocalSynth were to ever come out of beta (which it will) I would hope they included more outputs, although it would require a lot of work, and I dont know if theres room for it.

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iZotope VocalSynth Features

New “soundness” parameter
New “Create Effect” function
New “FX parameter” has been added
New sound colour type
New on-line user guide and step by step tutorials
New “Sweep” parameter, to filter an entire vocal.
Improved CPU performance
Improved signal-to-noise ratio
Precise parameter to control the sound
Improved GUI
Built in presets
Comprehensive FAQ
New effects and higher quality audio & wave files
Complete documentation
New To Do list
OSX version

What’s new in iZotope VocalSynth

Classic harmonies, octaves, and chords.
Drive or control VocalSynth 2 with any audio signal, MIDI or SSR.
Create any type of voice, from harmonics to lead and everything in between.
Advanced parameter controls and access to parameters via the waveform window.
Every vocalist’s best-kept secret: Pitch, breathiness, and volume tools to turn even the most amateur into a seasoned pro.
Save your presets as vocal harmonies and control backing vocals.